night 27 |
night 28 |
I painted a traditional "enso" (meditation circle) and then used white crayon for the portion of the moon that was lit. Then I washed sumi ink over the whole page, revealing the white crayon, retaining the enso, and filling the page with a watery gray that created its own patterns as it pooled and dried.These images show the last three paintings in the moon cycle.
I started playing with a moon journal layout and poetry and research on how the phases of the moon actually work (as opposed to my initial misconceptions in my first draft of the poem.) Then I got busy and set it aside for a while to let it incubate. The theme that had been emerging as I worked on the paintings, poetry and learned more about the moon phases is that of Change & Constancy.
night 29 |
Constancy: It is easy to cycle bright and dark like the moon apparently does. Before I looked into it, I used to think the moon was in the earth's shadow when it was a new moon, deprived of light, entering its dark phase. But in reality, the moon, (except during an eclipse) is always in the sun's light, it is just our perspective - our view of the moon that changes as the moon revolves around the earth. Behind all the apparent changes is something constant and reliable. The moon remains a solid sphere, bathed in light no matter what portion of its illumination we see at the time. I find this reassuring and a good metaphor for appreciating what is whole and constant in my life throughout the changing perspectives I have over time.
The sense of time passing in this series is great. It makes me curious what the full moon looked like - I also appreciated hearing about your artistic process.
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